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OCT for examination of cultural heritage objects

Repozytorium Uniwersytetu Mikołaja Kopernika

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dc.contributor.author Targowski, Piotr
dc.contributor.author Kowalska, Magdalena
dc.contributor.author Sylwestrzak, Marcin
dc.contributor.author Iwanicka, Magdalena
dc.date.accessioned 2019-08-27T10:24:53Z
dc.date.available 2019-08-27T10:24:53Z
dc.date.issued 2019-08-27
dc.identifier.isbn 978-1-78984-262-3
dc.identifier.uri http://repozytorium.umk.pl/handle/item/5948
dc.description a chapter preprint to the book “Optical Coherence Tomography and Its Non-medical Applications” Michael Wang ed., IntechOpen 2019
dc.description.abstract OCT was first time reported as a tool for examination of cultural heritage objects in 2004. It is mainly used for examination of subsurface structure of easel paintings (such as varnishes and glazes) but has also been successfully used for inspection of other types of artworks, provided that they contain layers that are permeable to the probing light. This chapter discusses the last applications of OCT in this area with an emphasis on synergy with some other non-invasive techniques such as large scale X-ray fluorescence (XRF) scanning and reflective Fourier transform infrared (FTIR) spectroscopy. After this part, there is a detailed description of the high resolution OCT instrument developed by authors specifically for the study of works of art. Next, two examples are given for the structural examination of works of art: in the former the sub-surface layers of an easel painting are presented, in the latter the painting on reverse of the glass is examined, when the inspection must be carried out through the glass. Finally, an application for the assessment of chemical varnish removal from an easel panel painting is discussed in details.
dc.description.sponsorship This research has been co-financed by H2020 IPERION CH project (contract number: 654028) and conducted with the partial use of the research infrastructure of Interdisciplinary Centre for Modern Technology of Nicolaus Copernicus University in Toruń, Poland, financed by Regional Operational Programme for Kujawsko-Pomorskie Voivodship (Project No. RPKP.05.04.00-04-001/10). Results shown in Figure 3 are obtained in cooperation with National Museum in Krakow in the framework of the offer of Polish Research Consortium for Heritage Science E-RIHS.PL (project leader: Zofia Maniakowska-Jazownik).
dc.language.iso eng
dc.rights Attribution-NonCommercial-NoDerivs 3.0 Poland
dc.rights info:eu-repo/semantics/openAccess
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/pl/
dc.subject artwork
dc.subject painting
dc.subject varnish
dc.subject heritage science
dc.subject cleaning of paintings
dc.title OCT for examination of cultural heritage objects
dc.type info:eu-repo/semantics/bookPart


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Attribution-NonCommercial-NoDerivs 3.0 Poland Ta pozycja jest udostępniona na licencji Attribution-NonCommercial-NoDerivs 3.0 Poland