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Washi kozo i funori jako materiały do licowania przenoszonych malowideł ściennych

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dc.contributor.author Rogal, Robert
dc.date.accessioned 2013-10-10T11:28:46Z
dc.date.available 2013-10-10T11:28:46Z
dc.date.issued 2011-10-01
dc.identifier.citation Acta Universitatis Nicolai Copernici Zabytkoznawstwo i Konserwatorstwo, No. 42, Vol. 402, pp. 71-96
dc.identifier.issn 0208-533X
dc.identifier.other doi:10.12775/AUNC_ZiK.2011.014
dc.identifier.uri http://repozytorium.umk.pl/handle/item/652
dc.description.abstract This paper aims for answering the question whether the hand-made kozo paperand a consolidating adhesive funori can be applied as elements of facing fortransferring mural paintings. The history, technique of the making, propertiesand original use of those products are described, as well as their first applicationfor transferring mural paintings in Japan. Facing made of traditional Japanesematerials has been subject to durability tests and its biological resistance hasbeen checked. It has also been compared with facing made of machine-madekozo paper and methyl-cellulose. The source of author’s practical experiencewas transferring a fragment of mural painting in an ancient Egyptian tomb.Laboratory tests and practical conservation experience have demonstratedlimited possibilities of the use of facing made of traditional Japanese materials.
dc.language.iso pol
dc.rights Attribution-NoDerivs 3.0 Poland
dc.rights info:eu-repo/semantics/openAccess
dc.rights.uri http://creativecommons.org/licenses/by-nd/3.0/pl/
dc.title Washi kozo i funori jako materiały do licowania przenoszonych malowideł ściennych
dc.type info:eu-repo/semantics/article


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