Kilka uwag na temat sygnatur obrazów olejnych Józefa Pankiewicza

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dc.contributor.author Wachowiak, Mirosław
dc.date.accessioned 2014-03-17T17:01:59Z
dc.date.available 2014-03-17T17:01:59Z
dc.date.issued 2012-01-01
dc.identifier.citation Acta Universitatis Nicolai Copernici Zabytkoznawstwo i Konserwatorstwo, No. 43, Vol. 410, pp. 167-180
dc.identifier.issn 0208-533X
dc.identifier.other doi:10.12775/AUNC_ZiK.2012.009
dc.identifier.uri http://repozytorium.umk.pl/handle/item/1795
dc.description.abstract Signatures of oil paintings from all stylistic periods of Pankiewicz has been analysed. The artist put his signatures both in left and right corners and sometimes in other different positions in the painting. The lettering was evolving from static official style to more freely one and integrated within the composition. In the symbolic period in paintings in which the sizes had been changed by artist, there appeared two original signatures differing in character. Each period had some characteristic features of the signature. Yet the diversity of the style of letters used, gives no opportunity of certain attributions basing mainly on analysis of the signature, yet it can be supporting indicator. 
dc.language.iso pol
dc.rights Attribution-NoDerivs 3.0 Poland
dc.rights info:eu-repo/semantics/openAccess
dc.rights.uri http://creativecommons.org/licenses/by-nd/3.0/pl/
dc.subject Józef Pankiewicz
dc.subject sygnatury
dc.subject budowa technologiczna i techniczna
dc.subject warsztat malarski
dc.title Kilka uwag na temat sygnatur obrazów olejnych Józefa Pankiewicza
dc.type info:eu-repo/semantics/article

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