Kilka uwag na temat sygnatur obrazów olejnych Józefa Pankiewicza

dc.contributor.authorWachowiak, Mirosławpl
dc.date.accessioned2014-03-17T17:01:59Z
dc.date.available2014-03-17T17:01:59Z
dc.date.issued2012-01-01pl
dc.description.abstractSignatures of oil paintings from all stylistic periods of Pankiewicz has been analysed. The artist put his signatures both in left and right corners and sometimes in other different positions in the painting. The lettering was evolving from static official style to more freely one and integrated within the composition. In the symbolic period in paintings in which the sizes had been changed by artist, there appeared two original signatures differing in character. Each period had some characteristic features of the signature. Yet the diversity of the style of letters used, gives no opportunity of certain attributions basing mainly on analysis of the signature, yet it can be supporting indicator. en
dc.identifier.citationActa Universitatis Nicolai Copernici Zabytkoznawstwo i Konserwatorstwo, No. 43, Vol. 410, pp. 167-180pl
dc.identifier.issn0208-533Xpl
dc.identifier.otherdoi:10.12775/AUNC_ZiK.2012.009pl
dc.identifier.urihttp://repozytorium.umk.pl/handle/item/1795
dc.language.isopolpl
dc.rightsAttribution-NoDerivs 3.0 Polandpl
dc.rightsinfo:eu-repo/semantics/openAccesspl
dc.rights.urihttp://creativecommons.org/licenses/by-nd/3.0/pl/pl
dc.subjectJózef Pankiewiczpl
dc.subjectsygnaturypl
dc.subjectbudowa technologiczna i technicznapl
dc.subjectwarsztat malarskipl
dc.titleKilka uwag na temat sygnatur obrazów olejnych Józefa Pankiewiczapl
dc.typeinfo:eu-repo/semantics/articlepl

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