| dc.contributor.author |
Żejmo, Bożena |
| dc.date.accessioned |
2021-02-16T15:15:44Z |
| dc.date.available |
2021-02-16T15:15:44Z |
| dc.date.issued |
2020 |
| dc.identifier.citation |
Przegląd Rusycystyczny 2020, vol. 4(172), pp. 99-121. |
| dc.identifier.issn |
0137-298X |
| dc.identifier.other |
10.31261/pr.9100 |
| dc.identifier.uri |
http://repozytorium.umk.pl/handle/item/6478 |
| dc.description.abstract |
POST-CHERNOBYL ART AS A WORK OF THE MOURNING
The objective of the paper is to give an overview of and to analyse the Post-Chernobyl Art, which not only is perceived as an artistic comment on the Chernobyl tragedy but, most of all, as a way of working through the social trauma. The Post-Chernobyl Art is a remarkable panorama of the post-apocalyptic culture (both high and low) oriented toward a reflection on what happened; it is also a story about victims of the tragedy and a warning to the future generations. |
| dc.language.iso |
rus |
| dc.publisher |
Polskie Towarzystwo Rusycystyczne, Wydawnictwo Uniwersytetu Śląskiego |
| dc.subject |
Chernobyl |
| dc.subject |
catastrophe |
| dc.subject |
post-apocalyptic art |
| dc.subject |
trauma |
| dc.title |
ПОСТЧЕРНОБЫЛЬСКОЕ ИСКУССТВО КАК РАБОТА ГОРЯ |
| dc.title.alternative |
SZTUKA POSTCZARNOBYLSKA JAKO PRACA ŻALU |
| dc.type |
info:eu-repo/semantics/article |
