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ПОСТЧЕРНОБЫЛЬСКОЕ ИСКУССТВО КАК РАБОТА ГОРЯ

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dc.contributor.author Żejmo, Bożena
dc.date.accessioned 2021-02-16T15:15:44Z
dc.date.available 2021-02-16T15:15:44Z
dc.date.issued 2020
dc.identifier.citation Przegląd Rusycystyczny 2020, vol. 4(172), pp. 99-121.
dc.identifier.issn 0137-298X
dc.identifier.other 10.31261/pr.9100
dc.identifier.uri http://repozytorium.umk.pl/handle/item/6478
dc.description.abstract POST-CHERNOBYL ART AS A WORK OF THE MOURNING The objective of the paper is to give an overview of and to analyse the Post-Chernobyl Art, which not only is perceived as an artistic comment on the Chernobyl tragedy but, most of all, as a way of working through the social trauma. The Post-Chernobyl Art is a remarkable panorama of the post-apocalyptic culture (both high and low) oriented toward a reflection on what happened; it is also a story about victims of the tragedy and a warning to the future generations.
dc.language.iso rus
dc.publisher Polskie Towarzystwo Rusycystyczne, Wydawnictwo Uniwersytetu Śląskiego
dc.subject Chernobyl
dc.subject catastrophe
dc.subject post-apocalyptic art
dc.subject trauma
dc.title ПОСТЧЕРНОБЫЛЬСКОЕ ИСКУССТВО КАК РАБОТА ГОРЯ
dc.title.alternative SZTUKA POSTCZARNOBYLSKA JAKO PRACA ŻALU
dc.type info:eu-repo/semantics/article


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