Don DeLillo and the Ghost of Language

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It is diffcult to provide an insightful overview of Don DeLillo’s fction without commenting upon the signifcance that language plays in his novels—not as a craft, but as an object of an in-depth, ongoing study. To DeLillo, language seems to inhabit a paradoxical, liminal space between material existence and inexistence. On the one hand, the author is famous for his masterful control over his words, on the other, he recognizes a mysterious force with which the words affect literature independently of its creator in a possession-like manner. In my article, I discuss DeLillo’s reflections on language by analyzing The Body Artist, his shortest and arguably most unusual novel, on the surface a strange kind of a ghost story, but beyond that, a profound reflection on language, trauma and contemporary art. I focus on the novel’s semi-aphasic character, Mr. Tuttle, to explore the spectral quality in DeLillo’s language, connecting it to Jacques Derrida’s influential theoretical reflection on the matter.

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Don DeLillo, language, ghost, haunting, contemporary art, trauma, Jacques Derrida

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Theoria et Historia Scientiarum, Vol. 14, pp. 87-97

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