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Orient light? O Japonii i Japończykach w najnowszym amerykańskim filmie popularnym

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dc.contributor.author Robaczek, Karolina
dc.date.accessioned 2015-02-03T11:59:23Z
dc.date.available 2015-02-03T11:59:23Z
dc.date.issued 2014-12-31
dc.identifier.citation Litteraria Copernicana, No. 2(14), pp. 284-293
dc.identifier.issn 1899-315X
dc.identifier.other doi:10.12775/LC.2014.038
dc.identifier.uri http://repozytorium.umk.pl/handle/item/2401
dc.description.abstract The paper Orient Light? The Image of Japan in American popular cinema of the last decade focuses on the stereotypes about Japan featured in American films. The social reception of these films and the mechanisms that reinforce those stereotypes in film culture provide the essential cognitive contexts for the paper. The starting point of the author’s analysis is the relation between the Japanese culture (the explored) and the American culture (the exploring).
dc.language.iso pol
dc.rights Attribution-NoDerivs 3.0 Poland
dc.rights info:eu-repo/semantics/openAccess
dc.rights.uri http://creativecommons.org/licenses/by-nd/3.0/pl/
dc.subject Orient
dc.subject American film
dc.subject The Last Samurai
dc.title Orient light? O Japonii i Japończykach w najnowszym amerykańskim filmie popularnym
dc.title.alternative ORIENT LIGHT? THE IMAGE OF JAPAN IN AMERICAN POPULAR CINEMA OF THE LAST DECADE
dc.type info:eu-repo/semantics/article


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