Orient light? O Japonii i Japończykach w najnowszym amerykańskim filmie popularnym

dc.contributor.author	Robaczek, Karolina
dc.date.accessioned	2015-02-03T11:59:23Z
dc.date.available	2015-02-03T11:59:23Z
dc.date.issued	2014-12-31
dc.identifier.citation	Litteraria Copernicana, No. 2(14), pp. 284-293
dc.identifier.issn	1899-315X
dc.identifier.other	doi:10.12775/LC.2014.038
dc.identifier.uri	http://repozytorium.umk.pl/handle/item/2401
dc.description.abstract	The paper Orient Light? The Image of Japan in American popular cinema of the last decade focuses on the stereotypes about Japan featured in American films. The social reception of these films and the mechanisms that reinforce those stereotypes in film culture provide the essential cognitive contexts for the paper. The starting point of the author’s analysis is the relation between the Japanese culture (the explored) and the American culture (the exploring).
dc.language.iso	pol
dc.rights	Attribution-NoDerivs 3.0 Poland
dc.rights	info:eu-repo/semantics/openAccess
dc.rights.uri	http://creativecommons.org/licenses/by-nd/3.0/pl/
dc.subject	Orient
dc.subject	American film
dc.subject	The Last Samurai
dc.title	Orient light? O Japonii i Japończykach w najnowszym amerykańskim filmie popularnym
dc.title.alternative	ORIENT LIGHT? THE IMAGE OF JAPAN IN AMERICAN POPULAR CINEMA OF THE LAST DECADE
dc.type	info:eu-repo/semantics/article