„Regna il sonno su tutti – la luce langue…”. Motywy snu i wyobraźni oraz ich przekształcenia w „Makbecie” Piavego i Verdiego

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dc.contributor.author Lisecka, Małgorzata
dc.date.accessioned 2014-08-14T06:12:03Z
dc.date.available 2014-08-14T06:12:03Z
dc.date.issued 2013
dc.identifier.citation Res Facta Nova nr 14 (23), 2013, s. 95-116.
dc.identifier.issn 1897-824X
dc.identifier.uri http://repozytorium.umk.pl/handle/item/2170
dc.description.abstract This article is devoted to the main question, how Piave and Verdi realize the Renaissance principle of imaginatio and use some motifs and topics connected with dream and fancy, that are essential categories to the art of 16th century, and also are prevalent in Shakespeare’s Macbeth. The analysis of chosen scenes allows to establish, which parts of text of drama, referring to the motifs of dream and fancy, were removed or changed, and how, in turn, this procedure influences the musical set of libretto. Finally, it allows to answer some general questions about the interpretation of Shakespeare’s drama by its Romantic readers. The particular description is applied to the following scenes: Mi si affacia un pugnal… (1. act), final of 2. act, scena delle apparizioni (3. act) and gran scena del sonnambulismo (4. act).
dc.language.iso pol
dc.rights Attribution-NonCommercial-NoDerivs 3.0 Poland
dc.rights info:eu-repo/semantics/openAccess
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/pl/
dc.subject Piave
dc.subject Verdi
dc.subject Shakespeare
dc.subject Macbeth
dc.subject imaginatio
dc.subject fancy
dc.subject dream
dc.subject Romanticism
dc.subject opera
dc.title „Regna il sonno su tutti – la luce langue…”. Motywy snu i wyobraźni oraz ich przekształcenia w „Makbecie” Piavego i Verdiego
dc.title.alternative Regna il sonno su tutti – la luce langue… Motifs of Dream and Fancy and Its Transformations in Macbeth by Piave and Verdi
dc.type info:eu-repo/semantics/article

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